Glass has always been a great source of inspiration for architects and engineers.
Having passed from a luxury item to a widely used material, glass buildings have begun to spread all over the world, surprising for their transparency and play of light.
It was around the 50s and in the period of the economic boom that iron, glass and steel constructions reached the peak of popularity, thanks to masters of modern architecture such as Le Corbusier, Ludwig Mies Van Der Rohe, Walter Gropius, Frank Lioyd, Alvar Aalto and many others.
New York is the metropolis with 6.472 skyscrapers, over 100 meters high and 92 that reach 183 meters. All over the world there are imposing buildings that have chosen glass to be great protagonists in big cities, leaving great space for the combination of glass and beauty.
When it comes to architecture and glass, themes such as delicacy, transparency, innovation, artistic experimentation, sincerity, purity are highlighted.
And it is precisely for this reason that the link between glass and beauty is also magnificently expressed in the furniture sector, which over the centuries has elected it the reference material in the creation of artistic and design environments.
Architecture and furnishings have given way to real technical innovations that have allowed us to develop increasingly complex processes capable of transforming glass into an object that, under the skilled hands of a professional (an architect, a interior designer, a designer ...) can transform itself into a product capable of communicating a sensation and a message.
Here are developed processes of screen printing, bending, engraving, silvering,
enamelling that make it possible to create large works and small wonders where human creativity finds ample space.
